German 1805-1873
Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich. Related Paintings of Franz Xaver Winterhalter :. | Albert, Prince Consort | Queen Victoria (mk25) | A Swiss Girl from Interlaken | Portrait of Empress Maria Alexandrovna | Self Portrait of the Artist with his Brother, Hermann | Related Artists:
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Charles-Emile-Callande de Champmartin (Bourges, 1797 -Paris,1883) was a French painter.
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John Ferguson WeirAmerican painter and sculptor.
1841-1926
Painter, teacher and sculptor, son of Robert Walter Weir. He grew up at the US Military Academy at West Point, where he was taught by his father. His earliest paintings record the handsome landscape of the surrounding countryside, including View of the Highlands from West Point (1862; New York, NY Hist. Soc.). By November 1862 Weir had settled in New York, occupying quarters in the Studio Building on West Tenth Street, where he became friendly with many of the well-known artists residing there. He also made important contacts through the Century Club and the Athenaeum Club and the Artists' Fund Society. He made his d?but at the National Academy of Design with an Artist's Studio (1864; Los Angeles, CA, Co. Mus. A.), a detailed view of his father's painting room at West Point. The picture's favourable reception led to his election as an Associate of the National Academy of Design.